40 år
Det er i dag 40 år siden, mine forældre blev gift i Odder Kirke.
Tillykke til dem!
De fejrer dagen alene i Italien, hvor de i praksis nu bor, så jeg håber, de får en god dag.
Jeg véd allerede, hvad de giver hinanden i rubinbryllupsgave, da de købte den, mens vi besøgte dem tidligere på måneden: En Gaggia Syncrony Logic, og den er altså dejlig! 
Anna’s grammar
Anna’s language is developing rapidly at the moment – my recent posting is already out of date.
However, I feel I should write a bit about her grammar while it’s still simple.
For a very long time, most of her utterances consisted of one or two words.
The vocative would be expressed by a name on its own (Dade! Mimi!), but in all other cases, the name would be introduced by the copula/article ɛ, in the same way as all other words (ɛ dade “It/that/he is daddy.” ɛ βaβa “It’s a flower.” ɛ mi “It’s mine!”
The only other common utterance was a de? “What’s that?”
She then started combining these two sentences: a de ɛ βaβa? “Is that a flower?” (lit. “What’s that, a flower?”)
Recently, she started using the a and de separately, so Phyllis recently was told about Marcel that de ɛ ɛ lalɔ “he is my sibling” (lit. “that is a Charlotte”).
As I wrote above, her language is changing rapidly at the moment. In particular, she’s starting to repeat words, sentences and even fragments of songs (“Lo, lo, lo, aaaaa!”), so it’s beginning to be harder to decide when she’s copying a sentence she’s heard, and when she’s actually constructing one on her own.
The ethnic composition of Balamory
The kiddie programme Balamory has eight main characters:
- Archie, a white English man in a kilt
- Edie, a white Scottish woman
- Josie, a black English woman
- Ms Hoolie, a white Scottish woman
- PC Plum, a white Scottish man
- Penny, a white English woman
- Spencer, a black American man
- Suzie, a white Scottish woman
That is, there are five women and three men. Four of them are white Scottish, two are white English, one is black English and one is black American.
That didn’t strike me as looking particularly as the Scotland I know, where the main immigrant groups are Asian (i.e., Indian and Pakistani) and Chinese.
So I checked the latest census figures. I’ll ignore the gender composition in the following, which of course should have been four men and four women.
If Balamory had been like Scotland in 2001, the composition should have been as follows:
- 7 white Scottish
- 0.8 white other (typically English)
- 0.1 Asian
- 0.1 others
If the BBC wanted to reflect the UK as a whole instead of Scotland, the figures are as follows:
- 7.4 white
- 0.3 Asian
- 0.2 black
- 0.1 others
Even if the casting was done in London, the figures are still skewed. Here are the figures for London in 2001:
- 5.7 white
- 1.0 Asian
- 0.9 black
- 0.4 other
So why did the BBC go for this set-up?
I’m all in favour of representing all of the country’s ethnic groups on TV, and of course you can’t have 0.1 Asian in a programme, but what’s the point in making the world look different?
Are they trying to make the UK look like America?
Den radikale tunge på vægtskålen
Socialdemokraterne og SF’s beslutning om at ignorere Det radikale Venstre i formuleringen af deres fælles valgprogram er endnu en konsekvens af, at De Radikale ikke længere er tungen på vægtskålen.
Alt afhænger derfor af, hvordan situationen ser ud efter næste valg.
Hvis den nuværende balance bevares, har Enhedslisten + SF + SocDem + DrV ikke flertal, og der er hamrende ligegyldigt, om de fire partier er indbyrdes enige eller ej. (Medmindre Dansk Folkeparti skifter side, men det tvivler jeg nu på, de gør denne gang.)
Det er også muligt, at SF og Socialdemokraterne får flertal alene (evt. sammen med Enhedslisten). Så er det igen uinteressant, hvad DrV mener, men det må siges at være yderst usandsynligt – ved sidste valg fik de tre partier kun 72 mandater.
Det eneste realistiske valgresultat, der ikke fører til en fortsættelse af den nuværende regering, er derfor et flertal for EL + SF + SocDem + DrV. Idet vi nu antager, at de tre førstnævnte ikke får flertal alene, vil DrV pr. definition være tungen på vægtskålen.
Jeg vil antage, at det er udelukket, at De Radikale kan gå med i en regering, hvis de slet ingen indflydelse får på udlændinge- og skattepolitik.
Efter dagens udspil er det mest sandsynlige derfor, at DrV bliver støtteparti for en regering bestående af S og SF.
I et sådant Folketing vil det være sandsynligt, at et alternativt flertal vil bestå af S + SF + Dansk Folkeparti. Jeg forventer, at DF i en sådan situation vil være realistiske og samarbejde med regeringen, især om udlændingepolitikken.
Det er også sandsynligt, at de borgerlige partier vil friste De Radikale ved at komme med lovforslag, som er radikal (men ikke socialistisk eller socialdemokratisk) politik.
Så S-SF-regeringen vil ganske sikkert komme i mindretal mange gange, hvilket de naturligvis som Schlüter-regeringerne bare kan bide i sig.
Jeg gad vide, om S og SF i deres stille sind håber, at DrV vil pege på dem efter valget og derefter sidde i en krog og surmule, mens al den vigtige politik bliver gennemført med DF’s stemmer?
I så fald tror jeg ikke, at DrV vil pege på Socialdemokraterne ved det efterfølgende valg, men måske vil Dansk Folkeparti?
Det bliver mere og mere tydeligt, at De Radikale har begået en stor strategisk fejl ved at binde sig alt for fast til venstre side.
Grade inflation
The English GCSE results are out.
Shockingly, 21.6 per cent of grades were awarded an A* or A, and more than 67.1 per cent of entries were at grades A*-C. [A* is a English invention because too many pupils were getting an A.]
This makes a mockery of having an international scale of grades.
In Denmark, where the A-F scale was introduced recently (disguised as the -3–12 scale), there is a target percentage for the number of pupils getting each grade:
| A | 10% |
| B | 25% |
| C | 30% |
| D | 25% |
| E | 10% |
In that way, you can avoid grade inflation. Even if the questions get easier, it’s still only the brightest 10% that get an A.
Sadly, in England it seems to be the case that the grades are linked to the proportion of correct answers: A* – 90%, A – 80%, B – 70%, C – 60%, D – 50%, E – 40%.
That means that if the questions get easier, the proportion of pupils getting an A goes up.
This leads to grade inflation, and it also leads to some subjects being much better for getting an A* than others.
Just look at the figures!
If we look at Chemistry, the percentage of pupils getting A* has risen from 7.5% in 1994 to 23.1% in 2008.
Also, these 23.1% compare with only 3.9% getting an A* in Home Economics in the same year, so if you’re trying to get as many A*s as possible, it’s definitely worth studying this table before choosing your subjects.
I don’t see why it has to be like this.
Why not just assign a percentage to each paper at first, then pass all these markings to some central authority that could then work out exactly which percentage that would lead to 10% getting an A, 25% getting a B, and so on, and only then tell the pupils which grade they got?
When to write
The Study Hacks blog has a posting about when and how “real” writers write (hattip: Mailund on the Internet), and it makes the following recommendations:
- Spread out work on an assignment over several days. Coming at it fresh increases its quality.
- During these days, get up early. Probably earlier than you are used to. Say, around 7 or 8 am. (This means these days will be weekdays, probably early in the week so you can avoid temptations to party the night before).
- Have a mini-ritual to jump start the day. It should probably involve coffee. Breakfast. Maybe the morning paper. Don’t take too long.
- Go to the most isolated place possible.
- To get your mind ready to think, review the last pages you wrote.
- Work for two or three hours. Then stop.
- Follow this habit regularly. Don’t write during other times. Don’t write in public places. Don’t start writing the day before.
One flaw I can see is that this was based on a study of professional non-fiction writers, but the blog posting suggests applying it also to other areas such as blogging, and in some of the comments it seems to be seen as applying also to fiction.
However, blogging is often done best once the idea pops into your head, for instance straight after reading an article that you want to say something about. I think a blog that was written for exactly two hours every morning would have a distinctly non-bloggy feel to it.
And while I’m sure many fiction writers are happy to work in a similar fashion, others are known to work differently.
Douglas Adams for instance was known not to write much before the deadline had passed and then to be locked up in a hotel room till he had finished the book.
Also, while this morning pattern suits early risers, I’m sure many people would work better if they scheduled the writing to start at midnight.
C₁V₁(C₁V₂)
With very few exceptions (mainly /(w)uf/ ‘dog’ and /baˈdabade/ ‘TV’), Anna’s vocabulary consists of words that adhere to the syllable structure C₁V₁(C₁V₂).
In other words, she uses some monosyllabic words of the structure CV(V), e.g.:
/ka/ ‘cat, tiger, lion, car’
/na(i)/ ‘no’
/mi/ ‘my, drink’
/pi/ ‘bed, sleepy’
/ɬa/ ‘meat, sausage’
/mɛ/ ‘sheep’ [from Danish mæh 'bah']
/tɛa/ ‘toe’ [from Danish tæer 'toes']
/ɡai/ ‘sibling’ [from 'guys']/te/ ‘more’ [from Danish til 'to']
Other words are of the structure C₁V₁C₁V₂, that is, a consonant, then a vowel, then the same consonant, and then a vowel (not necessarily the same one). Some examples:
/ˈdade/ ‘daddy’
/ˈmama/ ‘mum’
/ˈtɛte/ (earlier /ˈtɛde/) ‘teddy’
/ˈnana/ ‘Anna’
/ˈlalɔ/ ‘Charlotte, Léon, Marcel’
/ˈmimi/ ‘mum’
/ˈpipi/ ‘bird’ [from Danish pip-pip 'tweet-tweet']
/ˈtatːa/ ‘tractor, plane, ship, space ship’
/ˈβaβa/ ‘bird, flying insect’
/ˈbabu/ ‘buggy, fire engine’ [partly from Danish ba-bu 'nee-naw']
/ˈkaki/ ‘cardie’
/ˈnani/ ‘Granny’
/ˈpʌm̥pa/ (also /ˈpʌba/) ‘Pumpa (her maternal grandfather)’
/ˈdede/ ‘Peter (her paternal grandfater), Brita (her paternal grandmother)’
/ˈnana/ ‘banana’
/ˈbɛibi/ ‘baby’ [from Danish 'baby' /ˈb̥ɛjb̥i/, not Scottish /ˈbebe/]
/ˈdɔde/ ‘Gordon’
Watching the wheels
Shortly after I got my driving license, we went to Tuscany on holiday.
My parents, who we were visiting, thought it would be good for me to learn to drive on the right, too, so they let me drive their car, a Fiat Multipla.
One feature of that car is that it has split wing mirrors (see the photo): The top part is a normal wing mirror, while the bottom part is fixed to show the bottom edge of the car.
It’s probably designed to make parking easier (and it definitely works for that purpose), but I found it invaluable to learn to gauge the width of the car.
Basically, at first I had no idea where the edge of the road was, but once I learned to check the bottom mirror, I found I could see precisely where I was.
I probably only used it intensively for an hour or two, and I then got a really good feel for the width of the car.
Actually, when I returned to the UK, I realised that I actually felt less able to gauge the width of my own car.
It’s not really the kind of thing you need all the time, but it would be a wonderful feature every time you drive a new car.
The jury is out
Back in May I blogged about Eurovision that I thought the UK and France were only saved by the juries: “But I think it’s beyond doubt that Azerbaijan would have been very close to winning, and that the UK and especially France would have been huge disasters had they not introduced juries.”
Now they’ve released the results of the televoting.
It turns out Azerbaijan would indeed have been number 2 (not 3), and that the UK and France would have been number 10 and 17 rather than 5 and 8.
So it’s now proven that the juries vote very differently from the people at home.
Fortunately, this year Norway was such a clear winner that it didn’t make a difference, but it’s inevitable that the juries in the future will create different winners than televoting on its own.
So what will they do? Keep the new system, and stop publishing the results of the televoting a few months later?
Clock design
They have this wonderful clock in the Duomo of Florence.
It’s clearly from before clock design was standardised.
These days we take it for granted that analogue clocks are divided into 12 hours, counting from midnight and noon, starting from the top and moving clockwise round the circle.
But this clock demonstrates that none of these design decisions are natural or obvious.
The duomo clock is divided into 24 hours, counting from sunset, starting from the bottom, and moving anti-clockwise round the circle.
Just as easy and natural, but these days it looks very, very alien.
